Usually, sets will be managed by someone at the opera house where they are being rented as opposed to bringing in a specialist. I have done it so often, and it’s been fun.” It is very unusual for a scenic supervisor to stay with the same sets for quite as long as Mr. I figured I would set it up a couple of times, but it has not gone that route… I know every piece of the set.
He comments, “It’s something I never counted on doing. Griebl was sent to every opera house that rented the sets, supervising their unloading and reloading. One project turned into another and, eventually, Mr. Griebl was invited to supervise their construction and deconstruction. Later, New Orleans Opera purchased the sets, and Mr. Griebl first worked on this Rigoletto set in February of 1995 in the freezing cold of Regina, Saskatchewan. GRIEBL GET INVOLVED WITH THE RIGOLETTO SETS? Tickets to Rigoletto start at $39> HOW DID MR. His work has taken him to different cities, and he has been through many adventures along the way.Ĭheck out Mike’s work on stage at the Ellie Caulkins Opera House. Griebl has supervised the construction and strike of these Rigoletto sets over thirty times. In a career spanning more than twenty years, Mr. Neither snow nor rain nor heat has kept Scenic Supervisor Mike Griebl from ensuring the sets of Rigoletto are ready for opening night. Mike Griebl, Scenic Supervisor for New Orleans Opera’s Rigoletto sets
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